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The objects whose photographs illustrate this work
a refusé d’être identifié au sexe qui lui a été assigné à la naissance
A people practicing a cruel religion with a god demanding the immolation of children
And the 100 works presented (from the Renaissance to the present day
Où est passé le passé. Traces, archives, images. Rome The objects whose photographs illustrateFor them, it is about beginning an exploration of this strange and fascinating world that is that of memory. Memory has a lot to do with history, naturally, but also, more profoundly, with writing and art in general. Barely experienced, every event sinks into the depths of the unknown past, on which float for a moment small fragments of memory. Yet an imprint remains, somewhere: a testimony, a recording of some kind, traces vestiges in short, which
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