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et partage ses réflexions sur la mémoire familiale
as a means to explore new themes and visual languages
Maud Serradell
Hélène Thiennot et Swann Gatsinger
C41 #18 alex black et partage ses réflexions surAll becomes archive not by choice or importance, but by the very inertia of modern existence. Data, images, words, and sounds accumulate endlessly, layer after layer, shaping a collective memory no longer selective but democratic. Time itself is the supreme curator, attributing meaning to fragments once overlooked: a photograph, a fleeting text, an emotion captured in passing. Almost ten years after the first printed issue of C41, this moment invites
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